11/9/2022 0 Comments Repertoire danceBy contrast, Nancy Colahan glowed as an alabaster frieze come to life in Ruth St. Stepping through the choreography, Koenig’s precise pointework revealed capable technique yet nothing of the ephemeral sylph. Victoria Koenig’s re-creation of an excerpt from Michel Fokine’s Les Sylphides: Prelude (1909) was exacting but static. But when one element fell off, it muddied the effect of the whole. The dancers performed the newly polished works on a shallow proscenium stage that subtly echoed the pieces’ original performance spaces.Īt its best, this was a program driven by details‹movement motifs as quick as the flick of a wrist‹dappled with evocative, symbolic images and lit from within by strong, spirit-filled performances. The concert, created especially for the museum’s concurrent exhibit of ☽ance in Photography,² dusted off eight gems by modern dance pioneers, five of which were company premieres. Williams Auditorium, The Getty Centerĭelving deeply into the heart and soul of modern dance classics, American Repertory Dance Company’s program of reconstructed solos at the Getty Center proved once more the timeless power of simplicity coupled with excellence.
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